{"id":35,"date":"2013-01-31T04:35:51","date_gmt":"2013-01-31T04:35:51","guid":{"rendered":"https:\/\/movieslayer.fr\/?p=35"},"modified":"2026-06-17T04:51:05","modified_gmt":"2026-06-17T04:51:05","slug":"7-psychopaths","status":"publish","type":"post","link":"https:\/\/movieslayer.fr\/index.php\/2013\/01\/31\/7-psychopaths\/","title":{"rendered":"7 Psychopaths"},"content":{"rendered":"<table>\n<tbody>\n<tr style=\"text-align: justify;\">\n<td><a href=\"..\/critiques-longues\/7-psychopathes-la-critique\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" title=\"7 Psychopathes\" src=\"..\/wp-content\/images\/7_psychopathes_icone_50.jpg\" alt=\"7 Psychopathes\" width=\"50\" height=\"50\" \/><\/a><\/td>\n<td style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" src=\"..\/wp-content\/images\/notes\/30.gif\" alt=\"\" width=\"40\" height=\"10\" \/><strong>Attendu comme le Messie, Martin McDon<strong>agh revient et nous sert un film d\u00e9cal\u00e9 et follement bien foutu sur le cin\u00e9ma autant que sur la folie. <!--more--><\/span><\/strong><\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table>\n<tbody>\n<tr style=\"text-align: justify;\">\n<td><\/td>\n<td style=\"text-align: justify;\"><strong>Note:<\/strong><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" title=\"2\/4\" src=\"..\/wp-content\/images\/notes\/30.gif\" alt=\"2\/4\" width=\"150\" height=\"36\" \/><br \/>\nTitre original: <strong> 7 Psychopaths<\/strong><br \/>\nR\u00e9alisation: <strong>Martin McDonagh<\/strong><br \/>\nScenario: <strong>Martin McDonagh<\/strong><br \/>\nCasting: <strong>Collin Farrell, Sam Rockwell, Christopher Walken, Woody Harrelson, Tom Waits, Zeljko Ivanek\u2026<\/strong><br \/>\nMusique originale : <strong>Carter Burwell<\/strong><br \/>\nSortie: <strong>30 janvier 2013<\/strong><br \/>\n<strong>Vu le 30 janvier 2013 \u00e0 19h35 \u00e0 l\u2019UGC Montparnasse<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Synopsis :<\/strong> <strong>Marty<\/strong> est un sc\u00e9nariste \u00e0 la mode en panne d\u2019inspiration qui a de s\u00e9rieuses tendances alcooliques. Son ami <strong>Billy<\/strong>, qui vit d\u2019une arnaque \u00e0 base de kidnapping de chiens avec son partenaire <strong>Hans<\/strong>, s\u2019inqui\u00e8te pour lui et veut lui venir en aide par tous les moyens possibles, autant pour son manque d\u2019inspiration que pour ses probl\u00e8mes de boisson.<\/p>\n<p><strong>Critique :<\/strong><\/p>\n<p><strong>7 Psychopathes<\/strong> \u00e9tait un film attendu, c\u2019est le moins qu\u2019on puisse dire. Avec son magistral <strong>Bon Baiser de Bruges<\/strong>, <strong>Martin McDonagh<\/strong> avait mis tout le monde d\u2019accord et laissait entrevoir un talent incroyable pour raconter des histoires sombres, violentes et dr\u00f4les \u00e0 la fois, comme on n\u2019en avait pas crois\u00e9es depuis les films des <strong>fr\u00e8res Coen<\/strong> des ann\u00e9es 90. Apr\u00e8s quatre longues ann\u00e9es d\u2019absence, le r\u00e9alisateur irlandais revient donc et on est autant rassur\u00e9 que surpris (et peut-\u00eatre m\u00eame un peu d\u00e9\u00e7u). Attention, <strong>7 Psychopathes<\/strong> est un bon film, un tr\u00e8s bon film m\u00eame, une com\u00e9die noire et d\u00e9cal\u00e9e au casting somptueux, \u00e0 l\u2019\u00e9criture impeccable et \u00e0 la structure narrative exemplaire. Mais on n\u2019y retrouve pas la richesse et la gr\u00e2ce incroyables de <strong>Bon Baiser de Bruges<\/strong>. Son nouveau film est un essai sur le cin\u00e9ma et l\u2019inspiration, un conte o\u00f9 se m\u00ealent fiction et r\u00e9alit\u00e9 au point de rendre la fronti\u00e8re entre les deux extr\u00eamement trouble. Reprenant quasiment \u00e0 la lettre la structure d\u2019<strong>Adaptation.<\/strong> de <strong>Spike Jonze<\/strong>, qui mettait en sc\u00e8ne les difficult\u00e9s de <strong>Charlie Kaufman<\/strong> \u00e0 \u00e9crire le film que nous \u00e9tions en train de voir, <strong>7 Psychopathes<\/strong> ne parvient pas \u00e0 \u00e9galer la subtilit\u00e9 tortur\u00e9e du sc\u00e9nario de <strong>Kaufman<\/strong> mais r\u00e9ussit \u00e0 se d\u00e9barrasser de sa dimension hautement masturbatoire (attention, j\u2019adore <strong>Adaptation.<\/strong>, mais le film met litt\u00e9ralement cette dimension en sc\u00e8ne) pour nous offrir une v\u00e9ritable r\u00e9flexion sur le cin\u00e9ma, l\u2019inspiration et la folie. Chargeant son r\u00e9cit d\u2019humour et de tendresse, le r\u00e9alisateur-sc\u00e9nariste nous prouve une fois de plus qu\u2019il a un talent fou pour \u00e9crire des personnages sensibles et attachants, m\u00eame quand il s\u2019agit de psychopathes. C\u00f4t\u00e9 r\u00e9alisation, une certaine sobri\u00e9t\u00e9 habite ce film pour mieux prendre aux tripes quand le sc\u00e9nario le n\u00e9cessite. C\u2019est astucieux, mais on regrette tout de m\u00eame le rythme en dents de scie qui nous sort r\u00e9guli\u00e8rement du film.<\/p>\n<p>Quasiment construit comme un film \u00e0 sketches (ou plut\u00f4t un patchwork d\u2019id\u00e9es), <strong>7 Psychopathes<\/strong>, qui met plus ou moins en sc\u00e8ne le sc\u00e9nariste en train d\u2019\u00e9crire ce film, ne parvient cependant pas \u00e0 \u00e9viter un certain narcissisme qui n\u2019est att\u00e9nu\u00e9 que par une auto-flagellation permanente de l\u2019auteur (mais bon, quand on choisit <strong>Colin Farrell<\/strong> pour alter ego cin\u00e9matographique, l\u2019auto-flagellation n\u2019est jamais qu\u2019une apparence). Il n\u2019en reste pas moins que le sc\u00e9nario, avec tous les d\u00e9fauts qu\u2019on peut lui attribuer, est d\u2019une finesse incroyable et nous entra\u00eene avec une aisance incomparable au c\u0153ur de cette histoire improbable d\u00e9bordante de personnages (peut-\u00eatre trop) et de rebondissements, en parvenant toujours \u00e0 nous surprendre. C\u00f4t\u00e9 casting, c\u2019est royal ! Que ce soit pour les premiers r\u00f4les, les seconds r\u00f4les ou les cam\u00e9os, <strong>Martin McDonagh<\/strong> a visiblement pu prendre qui il voulait et on se retrouve avec un casting de seconds r\u00f4les proprement hallucinant : <strong>Michael Pitt<\/strong>, <strong>Michael Stuhlbarg<\/strong>, <strong>Abbie Cornish<\/strong>, <strong>Kevin Corrigan<\/strong>, <strong>Gabourey Sidibe<\/strong>, <strong>Tom Waits<\/strong>, <strong>Harry Dean Stanton<\/strong>, <strong>Olga Kurylenko<\/strong>\u2026 Bref, c\u2019est un buffet de haute gamme, et chacun y va de sa sc\u00e8ne clich\u00e9e et m\u00e9morable, un peu comme dans <strong>The Player<\/strong> de <strong>Robert Altman<\/strong>. Dans les premiers r\u00f4les, <strong>Colin Farrell<\/strong> retrouve la m\u00eame verve qui avait rendu son r\u00f4le dans <strong>Bon Baiser de Bruges<\/strong> inoubliable, tandis que <strong>Sam Rockwell<\/strong> est, comme toujours, impeccablement bouillonnant d\u2019\u00e9nergie et ici utilis\u00e9 \u00e0 la perfection. La bonne surprise vient de <strong>Christopher Walken<\/strong>, non pas que sa prestation soit exceptionnellement bonne \u2014 <strong>Walken<\/strong> est toujours impeccable \u2014 mais cela faisait longtemps, vraiment tr\u00e8s longtemps, qu\u2019on ne l\u2019avait pas vu dans un r\u00f4le aussi central, et \u00e7a fait un bien fou. Touchant, surprenant et \u00e9trange, il colore le film de son charme et de son \u00e9l\u00e9gance. Enfin, c\u00f4t\u00e9 musique, <strong>Carter Burwell<\/strong> marque le film de ses notes reconnaissables entre mille, qui nous plongent toujours dans un film plus complexe qu\u2019il n\u2019y para\u00eet.<\/p>\n<p>Le seul vrai d\u00e9faut de <strong>7 Psychopathes<\/strong> est qu\u2019il sera toujours compar\u00e9 \u00e0 son a\u00een\u00e9. Et sa campagne marketing aussi. Que s\u2019est-il pass\u00e9 ? Jamais bandes-annonces et affiches n\u2019ont \u00e9t\u00e9 aussi mensong\u00e8res puisque l\u2019histoire, les personnages et le ton du film n\u2019ont rien \u00e0 voir avec l\u2019\u0153uvre qui nous est finalement pr\u00e9sent\u00e9e. Et heureusement, car la campagne faisait un peu peur. Est-ce que cela fait partie du concept global du film \u2014 et la campagne que l\u2019on a vue est en fait celle du film que le sc\u00e9nariste fictif de <strong>7 Psychopathes<\/strong> est en train d\u2019\u00e9crire \u2014 ou bien est-ce une volont\u00e9 marketing de vendre \u00e0 un plus large public un film difficile d\u2019acc\u00e8s mais divertissant en diable ? J\u2019aimerais pencher pour la premi\u00e8re solution, mais j\u2019ai bien peur que la seconde soit plus proche de la r\u00e9alit\u00e9.<\/p>\n<p><strong>7 Psychopathes<\/strong> est un divertissement intelligent, complexe, dr\u00f4le et sensible qui se trouve au croisement de <strong>The Player<\/strong>, <strong>Adaptation.<\/strong> et <strong>Mulholland Drive<\/strong>, sans pour autant se prendre au s\u00e9rieux.<\/p>\n<p><strong>Les plus :<\/strong><\/p>\n<ul>\n<li>Le casting proprement hallucinant<\/li>\n<li>Le sc\u00e9nario qui vogue entre action, com\u00e9die d\u00e9cal\u00e9e et introspection sans jamais se planter<\/li>\n<li>La richesse des histoires racont\u00e9es<\/li>\n<\/ul>\n<p><strong>Les moins :<\/strong><\/p>\n<ul>\n<li>\u00c0 trop vouloir en faire, <strong>Martin McDonagh<\/strong> surcharge un peu son r\u00e9cit<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Attendu comme le Messie, Martin McDonagh revient et nous sert un film d\u00e9cal\u00e9 et follement bien foutu sur le cin\u00e9ma autant que sur la folie.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2],"tags":[],"class_list":["post-35","post","type-post","status-publish","format-standard","hentry","category-critiques-longues"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - 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